On the platform’s aerial world there is a single interior room. A portico too narrow as to hold a static room and too deep as to hold a vigilance balcony. Transparent and symmetrical rooms articulated by open corners. A perimeter ring, a panoramic rotunda measured by sixteen columns at regular distances, is occupied by a sequence of rooms with informally defined functions. The platform’s aerial world establishes its own cardinal directions. An elevated condition visible from a distance and another that disappears under the foliage. A sculptural structure, unitary and monolithic, that is supported by a blind podium. It is a horizontal figure separated from the ground.

“This is a singular piece that occupies a dominant position in the landscape. This Forest of lattice structure will be place for living which is new yet primitive. The gaps, or spaces between the lattice structure can be used as shelves, or a place for your favorite pot-plant.Ī place to live, can be re-written as a place filled with opportunities or cues where one can engage, it is also a place to harness and invite elements such as wind and sun to orchestrate a pleasant space. Move through the space like climbing a tree. One is able to physically climb through this lattice, to the upper part of the structure is a space like a sky-terrace where one can find a place of refuge. A place both loosely protected and at the same time, thoroughly open. Natural breeze flows through the gaps, and strong summer sun is shielded by this loose lattice structure between nature and artificiality. Simply put, this house is like a geometric forest.Ĭombining untreated wood in its natural form in an irregular lattice to create a loose boundary.

Brooklyn architect mozen